<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>kudoscameras</title><description>kudoscameras</description><link>http://www.kudoscameras.com.au/news-blog</link><item><title>Mephisto - Gary Sheppard</title><description><![CDATA[Gary Sheppard’s latest exhibition at the Black Eye Gallery in Sydney uses the alluring intricacies of liquid to offer a glimpse in to the places and creatures from Mephisto’s world. We were very intrigued to hear that Gary had been using our MIOPS trigger was used in the creation of these artworks.Playing with the viewer’s psychology by inviting them to put their own interpretation on complex, swirling patterns produced by mixing inks, dyes and varnishes in water.The images are mirrored to yield<img src="http://static.wixstatic.com/media/bec709_e35752bbc6a3495a8d9089fc6a3e20b4%7Emv2_d_1500_1236_s_2.jpg/v1/fill/w_636%2Ch_524/bec709_e35752bbc6a3495a8d9089fc6a3e20b4%7Emv2_d_1500_1236_s_2.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2017/03/16/Mephisto---Gary-Sheppard</link><guid>http://www.kudoscameras.com.au/single-post/2017/03/16/Mephisto---Gary-Sheppard</guid><pubDate>Wed, 15 Mar 2017 23:21:16 +0000</pubDate><content:encoded><![CDATA[<div><div>Gary Sheppard’s latest <a href="https://blackeyegallery.com.au/exhibiting/">exhibition at the Black Eye Gallery</a> in Sydney uses the alluring intricacies of liquid to offer a glimpse in to the places and creatures from Mephisto’s world. We were very intrigued to hear that Gary had been using our <a href="http://www.kudoscameras.com.au/miops">MIOPS trigger</a> was used in the creation of these artworks.</div><img src="http://static.wixstatic.com/media/bec709_e35752bbc6a3495a8d9089fc6a3e20b4~mv2_d_1500_1236_s_2.jpg"/><div>Playing with the viewer’s psychology by inviting them to put their own interpretation </div><div>on complex, swirling patterns produced by mixing inks, dyes and varnishes in water.</div><div>The images are mirrored to yield intriguing, symmetrical results depending on</div><div>how each scene is inverted and overlapped.</div><div>The convoluted structures and details that manifest as the liquids mix and flow into,</div><div>through and over each other are almost infinite in their complexity. </div><div>That intricacy means that,with each exposure, the particular combination of patterns,</div><div>colours and swirls which occurs at that instant has never existed before and will</div><div>never exist again. Each image is utterly unique.</div><img src="http://static.wixstatic.com/media/bec709_fa5fa546dff244a5b924ecc8a42df24f~mv2.jpeg"/><div>Something about human psychology compels us to identify patterns and the</div><div>symmetry engendered by splitting, flipping and recombining each photo is</div><div>irresistible to our pattern-seeking minds.</div><div>Outlines and contours begin to resemble flames, creatures and faces peering</div><div>out from billowing clouds, confronting and seducing the viewer.</div><div>Just as every photo is unique, each viewer’s interpretation of that scene will</div><div>be distinctly their own. Furthermore, what you perceive will be influenced by how</div><div>far from the image you are.</div><div>Even after repeated viewings you are likely to see scenes, creatures and objects</div><div>that you had not identified before.</div><img src="http://static.wixstatic.com/media/bec709_afe6d994113c4bb7af868d6d183a3675~mv2_d_1500_1500_s_2.jpg"/><div>We caught up with Gary and he was kind enough to give us a run through the process he used to create these magnificent images.</div><div>&quot;These shots were taken by pouring dyes, inks, paints and varnishes into water. Some of the pours were quite complex and required both hands to hold the containers. </div><div>The camera shutter had to be triggered at just the right moment and obviously I didn’t have a spare hand to do that. This is where the MIOPS trigger came in useful. </div><div>I set it to “sound” mode and connected it to my Pentax 645z. When I did the pour and watched the liquid streaming though the water I simply said “shoot” at the appropriate time and the MIOPS triggered the camera shutter.&quot;</div><div> If you are in Sydney, or nearby, it is definitely worth stopping by <a href="https://blackeyegallery.com.au/exhibiting/">Black Eye</a> to see Memphisto before the exhibition closes on March 27th.</div><div>******************************</div><div><a href="http://www.garysheppard.com/#/">Gary Sheppard</a>is a photographer based in Sydney, Australia and working mainly</div><div>throughout Australasia. With over 30 years photographic experience, the majority of Gary’s work is</div><div>involved with advertising campaigns for national and international distribution.</div><div>Gary has won awards at Cannes, One Show, D&amp;AD, Communications Arts, London</div><div>International, Folio and AWARD shows and is an AIPP Master of Photography.</div></div>]]></content:encoded></item><item><title>Wonderful Dry Cabinets - Introduction, Unboxing and Quick Start Guide - YouTube</title><description><![CDATA[Our busy little team has finally managed to find some time to get this short video together. A lot of our customers have been wondering what you get with your Wonderful Dry Cabinet so we put together a quick unboxing and quick start guide. If you have any other questions please contact us or leave a comment.<img src="http://img.youtube.com/vi/wrer-5WpjSc/mqdefault.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2017/02/16/Wonderful-Dry-Cabinets---Introduction-Unboxing-and-Quick-Start-Guide---YouTube</link><guid>http://www.kudoscameras.com.au/single-post/2017/02/16/Wonderful-Dry-Cabinets---Introduction-Unboxing-and-Quick-Start-Guide---YouTube</guid><pubDate>Sun, 19 Feb 2017 21:45:00 +0000</pubDate><content:encoded><![CDATA[<div><div>Our busy little team has finally managed to find some time to get this short video together. A lot of our customers have been wondering what you get with your Wonderful Dry Cabinet so we put together a quick unboxing and quick start guide. If you have any other questions please contact us or leave a comment.</div><iframe src="https://www.youtube.com/embed/wrer-5WpjSc"/></div>]]></content:encoded></item><item><title>Guest Post: Review on the Leofoto LEP-01</title><description><![CDATA[Underground River, taken by G. Blacklock with the LEP-01If you had asked me a few years back whether using a panoramic setup was worth the effort, the answer would have been pretty well no. However I have come to realise there are a few niche areas of photography which can only be done with a pano kit.I use that term, 'can only be done' pretty loosely, probably a more accurate way to put it is, 'using a pano kit can really improve the ease, speed and post processing of panoramic images'. Its<img src="http://static.wixstatic.com/media/bec709_c0c0e0bf6b6f4468a216331548cd0818%7Emv2.jpg"/>]]></description><dc:creator>Gerard Blacklock</dc:creator><link>http://www.kudoscameras.com.au/single-post/2017/01/12/Guest-Post-Review-on-the-Leofoto-LEP-01</link><guid>http://www.kudoscameras.com.au/single-post/2017/01/12/Guest-Post-Review-on-the-Leofoto-LEP-01</guid><pubDate>Thu, 12 Jan 2017 00:39:57 +0000</pubDate><content:encoded><![CDATA[<div><img src="http://static.wixstatic.com/media/bec709_f2ff86dbd86b45eb9ca9f775de0dda35~mv2.jpg"/><div>Underground River, taken by G. Blacklock with the LEP-01</div><div>If you had asked me a few years back whether using a panoramic setup was worth the effort, the answer would have been pretty well no. However I have come to realise there are a few niche areas of photography which can only be done with a pano kit.I use that term, 'can only be done' pretty loosely, probably a more accurate way to put it is, 'using a pano kit can really improve the ease, speed and post processing of panoramic images'. Its pretty amazing what post processing you can now do to wrangle and stitch images into a panoramic format and correct distortion, but the use of pano kit can in quite a few cases pay for it self in time savings alone. Not to mention those cases where no amount of magic stitching software will work, architecture for example or even landscape scenes with a mix of close and far objects and lots of straight lines, a panoramic image of a jetty comes to mind.</div><div>This is not so much a review, but more of a commentary on the Leofoto LEP-01 kit and panoramic imagery after using it for 3-4 weeks. What I find important and advantageous might not be what others find the same. Its also worth noting that I am coming to the Leofoto LEP-01 with the experience of using a few other brand of pano kits; namely Manfrotto and Novoflex.</div><div>I recently got hold of an older model Manfrotto pano kit, the 303Plus, which I have been using for a little under a year. It’s a pretty neat kit, which you could hang a elephant off. Consequently, it is quite awkward in shape and size as well as darn heavy; it could double as your boat anchor, if you know what I mean. This leads me to the first big advantage of the LEP-01 Leofoto Pano kit: it’s really light and compact. Even compared to a Novoflex Slim it’s pretty compact and quick to fold up and pack away, all tool-less of course.</div><div>My main use for panoramic kits is to do wide-angle panoramas of scenes which are close, and with items of varying distance from the camera. In this scenario, almost no level of post processing or stitching wizardry can get you the same result. At the moment I have a particular fondness for close up waterfall scenes shot in a wide panoramic view. I don't typically use a panoramic kit for scenes where the focal length is greater than 70mm and there is little in the immediate foreground, these scenes are typically very easy to stitch without the camera being rotated around the nodal point. In these cases I simply rotate the camera on the tripod and that produces an acceptable result.</div><img src="http://static.wixstatic.com/media/bec709_549af7e533514dcdb4b37b39a52c39c9~mv2.jpg"/><div>Slot Canyon, taken by G. Blacklock with the LEP-01</div><div>There are two basic concepts in panoramic photography which are both inter-related. The first is Parallax error, just Google and you will find a whole bunch of good explanations. Parrallax error essentially relates to the viewing of near and far objects, and the apparent different position of these items, this is where stitch errors can come from. The second concept is nodal point (hence where the name nodal rails comes from I suppose) or sometimes referred to as the no parallax point (NPP) - which does not sound as cool as nodal point so I will stick with nodal point. The nodal point is the point on the lens where you can rotate the camera and minimise, or completely remove any parallax error. Usually this point is just behind the lens front element, but it does vary from lens to lens.</div><img src="http://static.wixstatic.com/media/bec709_d66da434bf33477abcfb2ba321446470~mv2.jpg"/><img src="http://static.wixstatic.com/media/bec709_1543288c36a84788b0da942ba58ef5ac~mv2.jpg"/><div>When I use panoramic kits I always attach a Arca-Swiss plate to the bottom (usually one needs need a 3/8” to 1/4” male to male adapter for the plate) to enable easy removal and attachment to the tripod. It does add another fitting and potential for a flex point, but I have not experienced any issues and it means you can more easily level the kit.</div><div>So the first thing that struck me when using the Leofoto LEP-01 was the weight and compactness. The ability to quickly pack it up into a reasonable size so that it fits in the bag means one thing; more use of the pano kit since it can be carried easily to locations. Otherwise you are stuck with what I like to refer to as car based photography spots. Basically where you are limited to rolling out of the car and walking a few hundred paces at best. In the recent trips and sessions where I used the Leofoto LEP-01 I could detach the vertical rail, swing the arm to be aligned and put that with the nodal rail and panning clamp into a spot in my bag that would normally fit my Nikkor 24-70 with the hood. This meant it got much more use than the Manfrotto 303Plus. The Novoflex Slim and the Pro II are also quite compact, and I would put the LEP-01 in the same basket as say the Novoflex Slim. However, there is a fairly significant price point difference there; particularly when the Leofoto LEP-01 is compared to the Novoflex Pro II.</div><img src="http://static.wixstatic.com/media/bec709_d0a89edf9f214520b768845bb9d23179~mv2.jpg"/><div>Weight is something that Leofoto has certainly considered here. The machined out pockets and the webbing on the rails has contributed to a light weight design without compromising stiffness. The rigidity between the nodal rail and the vertical rail is excellent which makes sense since it’s a standard Arca-Swiss style mount, it is also easy to remove. What had me surprised was the locking screw knobs, at first glance they seem to be a plastic kind of material, but upon closer inspection they are some kind of super light aluminium. I did wonder about the durability of these, however in the time I used the kit they performed well and did not show any signs of longevity issues.</div><div>The large winged knob on the vertical support is a good idea: coupled with the incremental indentations it makes locking off the spot for your pitch angle super easy and there was no indication of movement once locked off. I did try it with a couple of larger lens and it remained solid in all cases. The incremental indentations on the pitch angle control could however be improved, with finer increments. I had a case where I could not quite adjust it to the position I wanted when doing a vertical panorama. The incremental indentations are also quite pronounced, you need to release the winged knob considerably to change the pitch angle and I found myself thinking that a less pronounced indentation would make the adjustments quicker and easier, and consequently the vertical pano process a bit more refined.</div><img src="http://static.wixstatic.com/media/bec709_c0c0e0bf6b6f4468a216331548cd0818~mv2.jpg"/><div>The double sided release plate worked quite well and locks out perfectly. However, I often found myself unscrewing the wrong knob to slide it on the rail or remove the camera. I did quickly work out the best solution was to always put the camera release knob on the lower side to prevent this. Given that Leofoto anodize the Index Rotator increment knobs blue and red, I suggest simply having one knob a different colour would remove this minor issue altogether, in any case, it can be just something to get used too.</div><div>Like most kits, cameras, tripod etc. there are always a number of minor things which may annoy one person but not another and also things which you just live with, or have a system in place to mitigate. The Leofoto LEP-01 has a few of these minor issues. However there was one aspect, which left me with the thought that I would probably pass up on specific parts of this kit. Specifically the Index Rotator (DH-64) is one item I struggled with, I found the incremental adjustment screws cumbersome to use, I have the same style on the Manfrotto kit but with only a single screw, even with a single screw its a bit fiddly and a pain. However with the two adjustment screws on the LEP-01 caused me some level of frustration. I am not the kind of person how sits at home and tests out all the settings and gets the angle for every lens worked out, I quite often tweak and adjust the angle increments whilst in the field, especially when using a zoom lens. There are times like with a seascape shot where I will happily forego a 50% overlap to be able to quickly capture some water motion with only 30% overlap, hence the ability to quickly adjust the increment angle is paramount. The Novoflex systems are the best for this (that I have used), there is a single rotatable knob to change the increment, fast and easy, the pitch change one even has a neat little lever. Needless to say, having to adjust the two screw in knobs was a bit tiresome.</div><img src="http://static.wixstatic.com/media/bec709_2874510f440248b7b8bd10c3d2c5af7e~mv2.jpg"/><div>Wave Rock, taken by G. Blacklock with the LEP-01</div><div>The Index Rotator (DH-64) is quite compact at a bit over 1.0” high (26mm for you metric folk). This was a pleasant surprise since it also adds to the compactness of the kit. The rigidity of this panning clamp (Index Rotator) was no so good. Now I must qualify that this could have just been a problem isolated to the sample I had. However, even with a light load on the pano kit there was quite a bit of free play (up - down direction) from the index rotator.I found I needed to level the kit out slightly offset to account for this play. The free play appears to come from between the two halves of the indexer in the up-down direction. This is not be acceptable to me. However, I reserve judgement knowing that it may have been just the copy I used. The indexer also has locking knob which I assume locks the rotation of the indexer, however in the copy I tried, this knob, no matter how tight I did it up, it did not lock the rotation. This is an aspect that is a deal breaker for me: I need to be able to carry the tripod and pano kit with the camera attached over short distances to reposition. The weight of the camera was enough to cause the whole kit to rotate whilst carried. Again, I do suspect this was just an issue with the copy I had, since this is a pretty essential basic function of a any part that connects stuff to a tripod.</div><div>As a entry level panoramic kit for light DSLR's and mirror-less systems I think the Leofoto LEP-01 is a pretty sweet kit, especially given the price point is typically ¼ of that of comparable systems on offer from Novoflex and Really Right Stuff. That said, whilst it’s not quite in the same league as the RRS and Novoflex, the quality of the nodal rails, vertical support and double quick release clamp is pretty darn good. I would be interested to see the offerings from the Leofoto Panorama -02 and -01 kits, however I suspect there is a increase in weight and size with these. You can also purchase all the individual components to really mix'n'match to suit requirements, an idea which I like. I do note though that the Leofoto catalog does not list some of the LEP-01 components.</div><img src="http://static.wixstatic.com/media/bec709_2f2070de291e4f83ba54890acef8c0b4~mv2.jpg"/><div>Rainforest Waterfall, taken by G. Blacklock with the LEP-01</div><div>Here is a quick summary of my pros and cons in order of priority:</div><div>Advantages:</div><div>LightweightCompactCost effective</div><div>Disadvantages</div><div>Indexer Rotator play - ie small amount of play in the swivel mechanism, which results in the nodal rails rocking.Indexer Rotator rotation cannot not be adequately locked outIncrement selection on the Indexer Rotator is cumbersomeIncrement selection on the integral vertical panning clamp is too coarse, ie when performing vertical panoramas</div><div>With a few minor refinements on the LEP-01 kit to address the above issues, primarily relating to the indexing rotator, it would certainly be a kit worth considering, particularly if you just starting out in the world of panoramic photography and need something which is cost effective, light weight and compact. I would happily whack this in my bag with a different index rotator on it. I appreciated it more after having to give it back and return to my ship anchor (aka the Manfrotto 303Plus!) I am definitely going look further into the Leofoto panoramic components.</div><div>Thanks a bundle to Cameron and the good folk at Kudos Cameras for letting me spend a few weeks playing with the LEP-01, noting that I am in no way financially affiliated with them or reimbursed for this, although I could probably get a beer or two out of it I reckon.</div><img src="http://static.wixstatic.com/media/bec709_c8d35f1a3bd44065acbad5f5d70ee922~mv2.jpg"/><div>Jetty, taken by G. Blacklock with the LEP-01</div><img src="http://static.wixstatic.com/media/bec709_d6fcb4ee782c4f91bf96120c770e5ef5~mv2.jpg"/><div>Driftwood, taken by G. Blacklock with the LEP-01</div><div>NOTE: Words and pictures provided by G. Blacklock who was loaned a Leofoto LEP-01 panoramic kit for evaluation purposes. Don't worry we'll definitely buy him a beer or two.</div></div>]]></content:encoded></item><item><title>Guest Post - Stephen Walton on the Priolite M-Pack 1000 HotSync</title><description><![CDATA[Today we have a few words and images from a Priolite customer: Stephen Walton of SJWPhotography, who has been using the M-Pack 1000 HotSync professionally for a few years. Check out more of Stephen's work over at his website.I have been using these (Priolite) flashes now for close to 3 years. They really are the do it all flash. With quality German construction and Li-Ion rechargeable batteries, they can be used both in the studio and out on location. Providing 1000watts of power, you always<img src="http://static.wixstatic.com/media/bec709_c57e85c9ee5c4cbf9e6c34408907646b%7Emv2.jpg/v1/fill/w_626%2Ch_417/bec709_c57e85c9ee5c4cbf9e6c34408907646b%7Emv2.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/11/28/Guest-Post---Stephen-Walton-on-the-Priolite-M-Pack-1000-HotSync</link><guid>http://www.kudoscameras.com.au/single-post/2016/11/28/Guest-Post---Stephen-Walton-on-the-Priolite-M-Pack-1000-HotSync</guid><pubDate>Mon, 28 Nov 2016 02:32:45 +0000</pubDate><content:encoded><![CDATA[<div><div>Today we have a few words and images from a Priolite customer: Stephen Walton of SJWPhotography, who has been using the M-Pack 1000 HotSync professionally for a few years. Check out more of Stephen's work over at his <a href="http://www.sjwphotography.com.au/">website</a>.</div><img src="http://static.wixstatic.com/media/bec709_c57e85c9ee5c4cbf9e6c34408907646b~mv2.jpg"/><div>I have been using these (Priolite) flashes now for close to 3 years. They really are the do it all flash. With quality German construction and Li-Ion rechargeable batteries, they can be used both in the studio and out on location. Providing 1000watts of power, you always have enough light and with the Priolite Control A unit on top of my Canon 5D MK III, I can control each flashes output from my camera and can sync at up to 1/8000sec.</div><div>I shoot a lot of corporate portraits and having portable battery powered flash means I don’t need to go hunting for a power point when I’m shooting in client’s offices. This also means there are no power leads for people to trip over and using the Priolite Control Unit means there are no sync leads either. This all makes for a quick, safe and easy setup that is also easy to move around from office to boardroom to reception area.</div><div>I also shoot a lot of action on location, a recent shoot I did with triathlete Ben Coventry meant I could capture him at full speed on his bike with studio quality lighting on location.</div><img src="http://static.wixstatic.com/media/bec709_dab49ee6ab424422852fe01ec7e1af6b~mv2.jpg"/><div>One of the other great features of the M-Pack 1000 HotSync is the optional bracket and super clamp that enables you to clamp the pack to your light stand, making it even easier to move around and also acting as a weight to stop your lights toppling over.</div><div>These lights have had a lot of use and the build quality is second to none! There is no dodgy easily broken plastic moulded clamps or brackets, everything is made from aluminium or steel and the cords connection is a strong, durable plastic that is built to last.</div><div>The only negative thing I could say is that they are a little bulkier than other flashes, but they are also the only 1000 watt high speed sync flash that I know of on the market.</div><div>Images provided by Stephen Walton, SJWphotography.</div></div>]]></content:encoded></item><item><title>Domke Wraps and Bags + YouTube</title><description><![CDATA[We had a bit of a play around recently and the end results looked pretty good, so good in fact we decided it had to be shared, and as a result we have started our own YouTube channel. We probably won't be as prolific as other channels, but it will be a great place for us to share any video we create, or any video our customers want us to share.Domke wraps are available in five colours (Red, Blue, Yellow, Black, Grey) and three sizes (11", 15", 19") and are perfect for protecting your expensive,<img src="http://img.youtube.com/vi/xHAlcc7KYgk/mqdefault.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/11/17/Domke-Wraps-and-Bags-YouTube</link><guid>http://www.kudoscameras.com.au/single-post/2016/11/17/Domke-Wraps-and-Bags-YouTube</guid><pubDate>Thu, 17 Nov 2016 06:06:00 +0000</pubDate><content:encoded><![CDATA[<div><div>We had a bit of a play around recently and the end results looked pretty good, so good in fact we decided it had to be shared, and as a result we have started our own YouTube channel. We probably won't be as prolific as other channels, but it will be a great place for us to share any video we create, or any video our customers want us to share.</div><div>Domke wraps are available in five colours (Red, Blue, Yellow, Black, Grey) and three sizes (11&quot;, 15&quot;, 19&quot;) and are perfect for protecting your expensive, fragile and/or sensitive equipment. Use them for your camera gear, your laptop or anything else that you need to put into a bag that deserves a little bit more protection. Turn any bag into a camera bag. </div><div>Domke RuggedWear bags come a variety of sizes, but all share the waxed canvas exterior that keeps your gear dry. These bags look great, work hard and don't scream camera bag.</div><div>Featured in this video:</div><div>-Domke Wrap - Red 11&quot; (~28cm)</div><div>-Domke Wrap - Yellow 15&quot; (~38cm)</div><div>-Domke Wrap - Blue 19&quot; (~48cm)</div><div>-Domke F-10 RuggedWear Shoulder Bag</div><div>-Domke F-803 RuggedWear Satchel</div><div>Have look at our range of <a href="http://www.kudoscameras.com.au/product-range-and-store/!/Domke-Camera-Bags-and-Accessories/c/12019026/offset%3D0%26sort%3Dnormal">Domke Products</a></div><iframe src="https://www.youtube.com/embed/xHAlcc7KYgk"/></div>]]></content:encoded></item><item><title>Storm Season is Coming</title><description><![CDATA[Summer is almost here and with it's arrival will come the storm season. Capture lightning images with the MIOPS Smart Trigger. Compatible with Nikon, Canon, Pentax, Sony, Olympus, Panasonic, Fuji and more.Order yours now.<img src="http://static.wixstatic.com/media/bec709_6e71d69aab3b4afebc9ea08145025e2b%7Emv2.jpg/v1/fill/w_626%2Ch_352/bec709_6e71d69aab3b4afebc9ea08145025e2b%7Emv2.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/11/07/Storm-Season-is-Coming</link><guid>http://www.kudoscameras.com.au/single-post/2016/11/07/Storm-Season-is-Coming</guid><pubDate>Mon, 07 Nov 2016 06:15:15 +0000</pubDate><content:encoded><![CDATA[<div><div>Summer is almost here and with it's arrival will come the storm season. Capture lightning images with the MIOPS Smart Trigger. Compatible with Nikon, Canon, Pentax, Sony, Olympus, Panasonic, Fuji and more.</div><div><a href="http://www.kudoscameras.com.au/product-range-and-store/!/MIOPS-Camera-Triggers/c/14024630/offset%3D0%26sort%3Dnormal">Order yours now.</a></div><img src="http://static.wixstatic.com/media/bec709_6e71d69aab3b4afebc9ea08145025e2b~mv2.jpg"/></div>]]></content:encoded></item><item><title>Introducing Leofoto</title><description><![CDATA[You have probably seen a bit of Leofoto being featured on our Instagram and Facebook but we really have not properly introduced it.Leofoto is one of the leading and most specialised manufacturers of photographic equipment in China. They have over 10 years of experience in suppling high quality tripods, ball heads and other accessories such as L-brackets, panoramic heads, quick release systems to the global market. You may not have seen the Leofoto brand but there is a good chance you have seen<img src="http://img.youtube.com/vi/xE05IACIYgg/mqdefault.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/10/31/Introducing-Leofoto</link><guid>http://www.kudoscameras.com.au/single-post/2016/10/31/Introducing-Leofoto</guid><pubDate>Fri, 28 Oct 2016 06:27:08 +0000</pubDate><content:encoded><![CDATA[<div><iframe src="https://www.youtube.com/embed/xE05IACIYgg"/><div><div>You have probably seen a bit of Leofoto being featured on our <a href="https://www.instagram.com/kudos_cameras/">Instagram</a> and <a href="https://www.instagram.com/kudos_cameras/">Facebook</a></div> but we really have not properly introduced it.</div><div>Leofoto is one of the leading and most specialised manufacturers of photographic equipment in China. They have over 10 years of experience in suppling high quality tripods, ball heads and other accessories such as L-brackets, panoramic heads, quick release systems to the global market. You may not have seen the Leofoto brand but there is a good chance you have seen or heard of the brands that they manufacture for.</div><div>The precision CNC milled aircraft grade aluminium, high quality hard anodisation, and Japanese 10x Carbon Fibre are all ingredients that go into the Leofoto professional range.</div><div>We are happy to bring this brand to you all and have been wowed by the quality, functionality, and attention to detail. Leofoto strives to provide the best quality product combined with the best possible customer experience and we look forward to helping them expand the brand recognition and extend the Leofoto experience to our customers.</div><div><a href="http://www.kudoscameras.com.au/product-range-and-store/!/Leofoto-Ballheads-and-Tripods/c/20928084/offset%3D0%26sort%3Dnormal">Browse our Leofoto range</a> that includes:</div><div>-Carbon Fibre Tripods</div><div>-Aluminium Tripods</div><div>-Ball Heads</div><div>-Panoramic</div><div>-Clamps</div><div>-L-Brackets and Plates</div><div>-Accessories</div></div>]]></content:encoded></item><item><title>Cactus! V6II/V6IIs Cross System Control!!</title><description><![CDATA[With the rapid adoption of mirrorless and the less than extensive flash support for these cameras it is refreshing to see products coming to market that help us use some of our existing equipment. Like the idea of using your Nikon or Canon speed light with your Fuji/Sony/Olympus/Panasonic mirrorless? With high speed sync? The Cactus V6II (and V6IIS with Sony Multi Interface Shoe) will let you do exactly this and more.Here is a write up about using the Cactus V6II with a Fuji system that we came<img src="http://static.wixstatic.com/media/bec709_47373f3cadc5432c9f157331606e3811%7Emv2.jpg/v1/fill/w_300%2Ch_350/bec709_47373f3cadc5432c9f157331606e3811%7Emv2.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/10/14/Cactus-V6IIV6IIs-Cross-System-TTL</link><guid>http://www.kudoscameras.com.au/single-post/2016/10/14/Cactus-V6IIV6IIs-Cross-System-TTL</guid><pubDate>Fri, 14 Oct 2016 00:30:00 +0000</pubDate><content:encoded><![CDATA[<div><div>With the rapid adoption of mirrorless and the less than extensive flash support for these cameras it is refreshing to see products coming to market that help us use some of our existing equipment. Like the idea of using your Nikon or Canon speed light with your Fuji/Sony/Olympus/Panasonic mirrorless? With high speed sync? The Cactus V6II (and V6IIS with Sony Multi Interface Shoe) will let you do exactly this and more.</div><img src="http://static.wixstatic.com/media/bec709_47373f3cadc5432c9f157331606e3811~mv2.jpg"/><div>Here is a <a href="https://fujilove.com/review-cactus-v6-mark-ii/">write up</a> about using the Cactus V6II with a Fuji system that we came across. For those with the Fuji XT2 there is some Beta Firmware that is currently being tested so new firmware is coming to add XT2 support.</div><div>Even for those who are not interested in cross system flash compatibility, the Cactus V6II provides radio frequency (2.4GHz) TTL with High Speed Sync and an AF assist lamp, which is far more reliable when you are outside in the sun compared to the traditional IR systems built into Nikon, Canon and Sony speed lights.</div><div>If you are interested in a V6II, or any of the other Cactus products have a look at our <a href="http://www.kudoscameras.com.au/product-range-and-store/!/Cactus-Flash-Triggers-and-Accessories/c/20698001/offset%3D0%26sort%3Dnormal">online store</a>.</div></div>]]></content:encoded></item><item><title>NEW Products: Genus Solar Eclipse ND + CPL</title><description><![CDATA[We are proud to announce that we are the Australian distributor for the Genustech Solar Eclipse and Eclipse filters.Particularly interesting is the Solar Eclipse variable neutral density and circular polariser. This filter provides the cinematographer the ability to control both the amount of light and the reflections in the frame. For the photographer, the Solar Eclipse helps you reduce both the number of filters in your bag, and the likelihood of vignette, perfect for landscapes. Available in<img src="http://img.youtube.com/vi/fZEoWsiClpc/mqdefault.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/10/06/NEW-Products-Genus-Solar-Eclipse-ND-CPOL</link><guid>http://www.kudoscameras.com.au/single-post/2016/10/06/NEW-Products-Genus-Solar-Eclipse-ND-CPOL</guid><pubDate>Thu, 06 Oct 2016 01:46:26 +0000</pubDate><content:encoded><![CDATA[<div><iframe src="https://www.youtube.com/embed/fZEoWsiClpc"/><div>We are proud to announce that we are the Australian distributor for the Genustech Solar Eclipse and Eclipse filters.</div><div>Particularly interesting is the Solar Eclipse variable neutral density and circular polariser. This filter provides the cinematographer the ability to control both the amount of light and the reflections in the frame. For the photographer, the Solar Eclipse helps you reduce both the number of filters in your bag, and the likelihood of vignette, perfect for landscapes. Available in 58mm, 77mm and 82mm and adaptable to lenses as small as 52mm with the Genustech adapter kit.</div><div>These are sure to be popular so contact us if you are interested.</div><iframe src="https://www.youtube.com/embed/wXkbmFR-7h4"/></div>]]></content:encoded></item><item><title>Photokina Special - Priolite MBX500 HS Ultra</title><description><![CDATA[It's been a busy time for everyone in the industry and here at Kudos Cameras we have been busy looking at the best of the new products, both from our suppliers and also the other products that are on the market.One product that is very exciting the PRIOLITE ULTRA is the smallest, metal frame, metal hardware, metal mount, Li-Ion powered, 500Ws strobe with built-in 2.4GHz wireless, 220 full-power flashes per charge, and the ability to sync to most Canon, Nikon, Pentax, and Sony cameras at up to<img src="http://static.wixstatic.com/media/bec709_03ea5fa364044382afdebfcc4aac6988%7Emv2.gif"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/09/23/Photokina-Special---Priolite-MBX500-HS-Ultra</link><guid>http://www.kudoscameras.com.au/single-post/2016/09/23/Photokina-Special---Priolite-MBX500-HS-Ultra</guid><pubDate>Fri, 23 Sep 2016 00:01:12 +0000</pubDate><content:encoded><![CDATA[<div><div>It's been a busy time for everyone in the industry and here at Kudos Cameras we have been busy looking at the best of the new products, both from our suppliers and also the other products that are on the market.</div><img src="http://static.wixstatic.com/media/bec709_03ea5fa364044382afdebfcc4aac6988~mv2.gif"/><div>One product that is very exciting the PRIOLITE ULTRA is the smallest, metal frame, metal hardware, metal mount, Li-Ion powered, 500Ws strobe with built-in 2.4GHz wireless, 220 full-power flashes per charge, and the ability to sync to most Canon, Nikon, Pentax, and Sony cameras at up to 1/8000th shutter speed, and at ANY POWER SETTING.</div><img src="http://static.wixstatic.com/media/bec709_c7d5e3bceb7e45a1a9bf9255b2ac258c~mv2.jpg"/><div>We are happy to have secured some very good pricing for our customers. <div><a href="http://www.kudoscameras.com.au/product-range-and-store/!/*Pre-Order-SPECIAL*-PRIOLITE-MBX-500HS-ULTRA/p/71972134/category%3D12131026">Pre Order</a> at the <a href="http://www.kudoscameras.com.au/product-range-and-store/!/*Pre-Order-SPECIAL*-PRIOLITE-MBX-500HS-ULTRA/p/71972134/category%3D12131026">Photokina Special price</a></div>.</div></div>]]></content:encoded></item><item><title>MIOPS has a new trigger</title><description><![CDATA[Not yet available, but MIOPS has launched a new Kickstarter campaign with a new MIOPS Mobile trigger. It's features looks a lot like the MIOPS Smart Trigger, but controlled primarily via your smartphone. We think it is a pretty cool. Have a closer look over at the Kickstarter. Keep tuned in as we will be trying to bring these to you as soon as they are ready!<img src="http://static.wixstatic.com/media/bec709_d46b50baa32140a9a6f0e83dba2960c8%7Emv2.jpg/v1/fill/w_626%2Ch_353/bec709_d46b50baa32140a9a6f0e83dba2960c8%7Emv2.jpg"/>]]></description><link>http://www.kudoscameras.com.au/single-post/2016/09/15/MIOPS-has-a-new-trigger</link><guid>http://www.kudoscameras.com.au/single-post/2016/09/15/MIOPS-has-a-new-trigger</guid><pubDate>Thu, 15 Sep 2016 03:49:36 +0000</pubDate><content:encoded><![CDATA[<div><img src="http://static.wixstatic.com/media/bec709_d46b50baa32140a9a6f0e83dba2960c8~mv2.jpg"/><div>Not yet available, but MIOPS has launched a new Kickstarter campaign with a new MIOPS Mobile trigger. It's features looks a lot like the MIOPS Smart Trigger, but controlled primarily via your smartphone. We think it is a pretty cool.</div><iframe src="https://www.youtube.com/embed/ydz_JG1529s"/><div> Have a closer look over at the <a href="https://www.kickstarter.com/projects/nerotrigger/miops-mobile-the-worlds-most-versatile-camera-remo">Kickstarter</a>. Keep tuned in as we will be trying to bring these to you as soon as they are ready!</div></div>]]></content:encoded></item><item><title>FLM CP30-XL4S Tripod &amp; CB-43FT Head</title><description><![CDATA[A three legged review Here’s the thing about tripods. Like camera bags, they’re all compromise and one is seemingly never enough. I guess that’s why in my career I’ve owned so many tripods in so many shapes, sizes and brands and now find myself with three squeezed amongst all the camera bags in my office. For serious work I have my very old, very solid and very heavy Foba with its massive Superball head. No question, it’s been a warhorse and survived around twenty years of hard use, but<img src="http://static.wixstatic.com/media/bec709_86eb9e5aad984d10b4492744849c868c.png"/>]]></description><dc:creator>David Anderson</dc:creator><link>http://www.kudoscameras.com.au/single-post/2015/07/23/FLM-CP30XL4S-Tripod-CB43FT-Head</link><guid>http://www.kudoscameras.com.au/single-post/2015/07/23/FLM-CP30XL4S-Tripod-CB43FT-Head</guid><pubDate>Thu, 23 Jul 2015 21:00:00 +0000</pubDate><content:encoded><![CDATA[<div><img src="http://static.wixstatic.com/media/bec709_86eb9e5aad984d10b4492744849c868c.png"/><div>A three legged review</div><div>Here’s the thing about tripods. Like camera bags, they’re all compromise and one is seemingly never enough. I guess that’s why in my career I’ve owned so many tripods in so many shapes, sizes and brands and now find myself with three squeezed amongst all the camera bags in my office. For serious work I have my very old, very solid and very heavy Foba with its massive Superball head. No question, it’s been a warhorse and survived around twenty years of hard use, but unfortunately a warhorse is needed to carry it and unless I’m working near the car, or with two and a half bulky assistants, it’s often left at home in favour of my medium-sized Manfrotto. It’s been good as well, but is starting to come apart in various places and, to be honest, has always been a bit short. Lastly, for fishing stories, travel and backpacking, I have a tiny Gitzo 1540T carbon number with a little RRS BH25 ball head that fits into a small pack and weighs less than an impoverished rat. It’s a nice little tripod but limited in its uses for small size and low height. That said, it’s always been better than nothing and now lives in the car when not out on an adventure.</div><div>Recently I’ve found myself wanting a new tripod to bridge the gap between the sheer mass of the Foba and the portability of the little Gitzo and as a replacement for the worn Manfrotto, and I will also admit here that after having a look at my friend Charlie Brown’s spiffy new Manfrotto 055CX3 at one of our workshops,I was a little envious of it’s practicality or had tripod envy if there’s such a thing.</div><div>A major concern for me when buying new photo equipment is build quality and I can’t stand spending good money on rubbish that doesn’t last — an all too common problem these days where branding, re-branding and marketing seem more important than actual function or good design.</div><div>I also know from all the tripods I’ve owned that cheap tripods don’t survive and that the good ones last and are worth the money when the cost is averaged over many years.It’s with this in mind I started the search that ultimately led me to an old friend, and Australian photo industry staple, Peter G, now importing FLM gear into Australia.</div><div>It’s a small world because Peter — I’m pretty sure — actually sold me the Foba all those years ago. At the time, he assured me I was paying for longevity — an easy claim to make as I handed over enough money to buy a top-shelf new camera. </div><div>Now, all these years later, though the money is not quite as otherworldly, I’m getting the same line concerning how long an FLM will last. And given how well the Foba is going, I think I can take Peter’s word on that.</div><div>FLM is a German company and Germans always get a great rap for what they build, and deservedly so with the one glaring exception that is SAP software — it flat out sucks in every respect and proves that Germans are in fact human and capable of getting it very wrong. Really, if SAP made a tripod, it would have two legs and nowhere to attach a camera. Thankfully, FLM is cut from a better cloth and the tripod and head are beautifully designed and built and everything operates with a light, yet precise touch. There’s also a ten-year warranty, which says to me that my new German friends expect it to last and are happy to prove it.</div><div>If build quality is impressive, weight, or the lack thereof, is bloody amazing. The legs on their own are only 1.72 kg and the head doesn't add much more at around 600 grams.</div><div>Taking my new tripod out of the box for the first time felt like waking up to no gravity.</div><div>Seriously, the whole thing probably weighs less than the feet on my Foba.</div><div>Speaking of feet, the FLM has neat little spikes tucked under twist-lock rubber feet giving the option of either without changing any parts — a clever touch.</div><div>When fully folded the tripod and head is only 51 cm in length thanks to the legs, which can fold completely back over the raised centre column, making it easy to strap to my pack or across the top of my camera bag — given the max height is well over my lofty head, that’s pretty compact.</div><div>The legs themselves move with a solid, firm feel and don’t flop around during set-up.</div><div>On the bottom of the centre column is a single hook that can be tucked away or removed completely and it’s perfect for adding some weight if you need it.</div><div>FLM legs come in two models: the CP26 and the CP30. From there they break down into several lengths and number of leg sections to suit everyone from Hobbits to Hagrids.</div><div>Of course, a new tripod is only half the battle and I also wanted a new, lighter ball head to match.</div><div>When selecting the new head (from a lot of options), I went for the middle ground with the CB-43 FT, it’s easily big enough for any DSLR duty and would easily handle medium format should I ever go there again. (Like when Fuji or Sony make a cheap, compact digital rangefinder medium format. Hint, hint.) </div><div>There are a few camera mounting options for each head from basic direct screw in to more elaborate cam locking mounts and L brackets. I chose the SRB60 for the simple locking knob and light 50 mm plates with soft, cork mounting pads and coin screw. This plate holder also has a spirit level for quick reference (or frustration) when working on un-level ground.</div><div>As a safety measure, there’s a small pin on the base that prevents the plate from moving when the camera is tilted or when removing the camera. </div><img src="http://static.wixstatic.com/media/bec709_a4cb524f59904915b426f235ee5595c7.png"/><div>Also worth noting: when folded no part of the legs make contact with the head and the fit around it is perfect.</div><div>Like the legs, the build quality of the ball head is exquisite with beautifully turned parts and control knobs, but it’s two real party tricks and what separates it in the market is the friction control and the tilt lock function.</div><div>The friction control is built into the main release knob as a separate adjustment and allows you to set the amount of friction on initial release from nothing to almost locked. </div><div>It’s proving very useful when I use the tripod as a big monopod with my long lenses.</div><div>The tilt function is a game changer for ball heads and, in my opinion, makes a traditional three adjustment head obsolete for everyone except maybe the die-hard architectural shooters or fussy macro work.</div><div>One option I didn’t choose that would be very useful to the stitching and pano folks is the 15-degree stop button that attaches the panoramic base next to the locking knob and allows for quick 15-degree adjustments. At only $65, I will probably add one at some point soon.</div><div>In conclusion, I can only really add that the CP30-XL4S FLM tripod and CB-43 FT head have exceeded all my expectations and would be a great choice for anyone, like me, looking for a good, take-it-anywhere do-it-all tripod. It’s light enough to render most excuses for leaving it at home lame, yet still solid enough to do the work of a lot of the weightier options out there. </div><div>The price, with head, is just over $1500 (AUD) and puts it in a different universe compared to the cheap Chinese stuff and quite a bit more than a similarly sized Manfrotto, but about par with it’s equivalent Gitzo or RRS model. </div><img src="http://static.wixstatic.com/media/bec709_da88b87505824828867cc8c5ba160327.png"/><div>Given the great quality, feel, clever head design and the long warranty, I feel the FLM really stands out and I will also add that I find the size and weight of the CP-30 XL4S about perfect for what I need.</div><div>For a report on it’s longevity you’ll have to come back in twenty years, though I suspect, like my Foba, it will still be doing the hard yards even if I’ve long since stopped.</div><div>FLM gear is distributed in Australia by <a href="mailto:sales@kudoscameras.com.au?subject=FLM Tripods and Heads">Kudos Cameras</a></div><div>To read about David Anderson and see more of David's work - <a href="http://dsaphoto.com">dsaphoto.com</a></div><div>Also you can follow David on <a href="https://www.facebook.com/pages/David-Anderson-dsaphotocom/688421861273231?ref=hl">Facebook</a></div></div>]]></content:encoded></item><item><title>New Priolite Hot Sync Remote Control for Canon, Nikon and Pentax:</title><description><![CDATA[The New Priolite Hot-Sync Remote Control HS-C - for Canon HS-N - for Nikon HS-P - for Pentax Allows High Speed Synchronization between camera and the Priolite's MBX 500 Hot-Sync, (New) MBX 1000 Hot-Sync and the M-Pack 1000 Hot-Sync. The remote control works automatically through the hot shoe - so not only eliminates the using of the HSS sync cable, now there is no need for programming necessary. Controlling and automating the maximum light output it will sync the Priolite Hot-Sync any shutter<img src="http://static.wixstatic.com/media/bec709_a3d340b2ca4e49e89560c25cb39456a8.jpg"/>]]></description><dc:creator>Priolite</dc:creator><link>http://www.kudoscameras.com.au/single-post/2014/09/02/New-Priolite-Hot-Sync-Remote-Control-for-Canon-Nikon-and-Pentax</link><guid>http://www.kudoscameras.com.au/single-post/2014/09/02/New-Priolite-Hot-Sync-Remote-Control-for-Canon-Nikon-and-Pentax</guid><pubDate>Tue, 02 Sep 2014 14:04:33 +0000</pubDate><content:encoded><![CDATA[<div><img src="http://static.wixstatic.com/media/bec709_a3d340b2ca4e49e89560c25cb39456a8.jpg"/><div>The New Priolite Hot-Sync Remote Control</div><div>HS-C - for Canon</div><div>HS-N - for Nikon</div><div>HS-P - for Pentax</div><div>Allows High Speed Synchronization between camera and the Priolite's MBX 500 Hot-Sync, (New) MBX 1000 Hot-Sync and the M-Pack 1000 Hot-Sync. </div><div>The remote control works automatically through the hot shoe - so not only eliminates the using of the HSS sync cable, now there is no need for programming necessary.</div><div>Controlling and automating the maximum light output it will sync the Priolite Hot-Sync any shutter speed up to 1/8000 second.</div><div>**The new Hot Sync remote control is available for all Canon, Pentax and Nikon cameras that provide the HSS feature. </div></div>]]></content:encoded></item></channel></rss>